And so I begin to list the static that shows up in the final season of the show. I expect there to be a lot of it, but like always, let me know if you spot something that I've missed.

The first four lists can be found here:

S01

S02

S03

S04

Season 5:

• MAG161 (Jonah knowing Jon's wish): "He wished for a little bit of peace and quiet."

• MAG162 (Jon starting to talk about the cabin): "There is a place, deep in the heart of fear, where you trap yourself and claim that it is safety..."

• MAG162 (Jon speaking the cabin's commands): "Close your eyes. Ignore the sounds. You, at least, are safe."

• MAG162 (Jon speaking the cabin's commands): "Hold each other, it croons. Be happy. But know always that this happiness is a lie built on the squirming bones of those whose suffering you have caused."

• MAG162 (Jon speaking the cabin's commands): "Stay, the cabin says. Stay within my false defenses. Cling so close to what you desperately wish to save and live in shaking fear of the things beyond that may take it from you. Throw another log on the fire and curl up close. There are always more logs for the fire here. This is your home and here you can be safe, as you putrefy, body and soul."

• MAG162 (Jon knowing what the Eye wants for him): "The Eye wishes instead that it be my chrysalis. It is time that I emerge."

• MAG163 (Jon explaining what is happening in the Trenches): "They sit here, the image of everyone they hold dear locked in their mind, knowing they'll never see them again, waiting for the order, dreading the bullet or the drone or the barbed wire that will tear them to shreds and leave them nothing but a bloodied..."

• MAG163 (Jon giving his statement about the Trenches): "There is a wound in the earth. A bayonet gouge scored through the soft and sudden mud for uncounted miles..."

• MAG164 (Martin asking Jon what his middle name is): "Huh... You... You don't have one."

• MAG164 (Martin asking Jon if Basira is alive): "She's alive. Out there, not trapped in a hellscape but moving, hunting. She's looking for Daisy. She's a few steps behind."

• MAG164 (Marting asking Jon about Daisy's status): "Bestial. Brutal. Carving her way through the domains of other powers, following the scent of blood."

• MAG164 (Martin asking Jon what Basira is going to do): "She thinks she is going to kill Daisy like she promised. But she's conflicted."

• MAG164 (Martin asking how much further they need to go): "A long way. Through many dark and awful places."

• MAG164 (Martin asking how the others are): Jon: "I, uh... Huh... I'm not sure. I can't really see Melanie or Georgie." Martin: "They're dead?" Jon: "No. I don't think so. If they were dead I think I would know that, I just... I don't know where they are or what they're doing. London maybe?"

• MAG164 (Martin asking about Elias): "He's inside the Panopticon. The tower far above the world." Martin: "That one." Jon: "Yes." Martin: "How is he?" Jon: "Hard to say. The way this works, this new sight, the knowledge is somehow wrapped up in the Panopticon. An eye can't see inside itself. But I can feel him in there." Martin: "That sounds...Gross..." Jon: "It is." Martin: "Are we safe travelling like this?" Jon: "Yes. Yes, sort of. We're... I don't know how to phrase it... We're something between a pilgrim and a moth. We can walk through these little worlds of terror, watching them, seperate and untouched." Martin: "That's not as comforting as you might think." Jon: "I like it better than the alternative." Martin: "Fair point."

• MAG164 (Martin asking who called him via the payphone in the previous episode): "I think it was Anabelle Cane. That's weird. I know the Web was wrapped around that phone but I can't see her at all. At least with Georgie and Melanie I have a vague sense they're still alive in London or, well, what was London, but Annabelle... Nothing."

• MAG164 (Martin asking if they can turn the world back): Jon: "Woah... Umm... If the fears are removed, yes? But they can't be destroyed while there are still people to fear them. They can't be banished back to the space where they came from. It's not there anymore. OHH!" Martin: "Jon, what's wrong?" Jon: "It's, uh, I'm sorry. Trying to know things about them directly, it's like... God, it's like looking into the sun."

• MAG164 (Martin asking where Helen is these days): Jon: "Uh, she's... Hah, right... Naturally..." Martin: "What? What's she doing?" Jon: "Martin, turn around."

• MAG164 (Helen answering Jon knocking on her door)

• MAG165 (Jon beginning his statement): "Your face is not your face is not your face is not your face, around the curling carousel it twists in place..."

• MAG165 (Jon killing NotThem) Jon: "Pathetic. Martin, let's go." NotThem: "Not as pathetic as your little friend when I ate her life." Jon: "What did you say?" NotThem: "I'm... I'm sorry..." Martin: "Jon?" Jon: "You were wrong, you know? There is more suffering than you can ever experience. So much more. The horror of your victims. Their constant, senseless agony. Feel it now! Understand it! You've drawn out so much despair and now finally it's your turn! Ceaseless Watcher, turn your gaze upon this wretched thing!" NotThem: "No! No! Please no!"

• MAG166 (Helen's door appearing in the ground)

• MAG166 (Jon beginning his statement): "Down. Down. Down. Down. Down below the earth there was a worm."

• MAG167 (Jon knowing Martin's thoughts): Jon: "Help us with what?" Martin: "Excuse me?" Jon: "Anabelle. Help us with what? Our journey? Killing Elias? Banishing the entities? What?" Martin: "Please don't do that." Jon: "Do what? ... Oh! Right, yes, I see, yes. Well, uh, sorry." Martin: "It doesn't feel great having someone look inside your head." Jon: "You can feel it?" Martin: "No, but that's hardly the point, Jon." Jon: "Oh, no, I see. Sorry."

• MAG167 (Jon beginning his statement about Gertrude): "To say that Gertrude Robinson never had a friend would not be true. She was close in her way to many people, but looking back I wonder if she ever realised just how strongly she herself reeked of the Lonely."

• MAG168 (Jon beginning his statement): "Report to prevent future deaths."

• MAG168 (Jon sighing at the end of the statement)

• MAG169 (Jon beginning his statement): "Home. Such a simple word. Home."

• MAG169 (Martin yelling for Jon during the statement): "The photos on the wall of her family, whose faces seem indestinct but she knows that she loves, begin to blacken as the glass pops out of the frame. Her home is being eaten alive by this devouring desolation as she..."

• MAG169 (Jude Perry dying): Martin: "Just die already!" Jude Perry: "You're! Not! Better! Than! Me!"

• MAG170 (Martin noticing the tape recorder in his hand): "Oh... Hello. What are you? Do I...Do I know you?"

• MAG170 (Martin trying to think back): "...Oh, hello. What are you? I can't quite see. You seem familiar."

• MAG170 (Martin trying to leave the house): "Oh hello, who are you then? Hmm, can't quite make out... A tape recorder?"

• MAG170 (Martin remembering Jon): "No, no that's not right. I'm not alone. No, not alone. There's... There's... Jon? Jon. Jon! Jon! Jon! Jon, I'm here! Can you hear me?"

• MAG170 (Martin forgetting about Jon again): "Oh hello, what's this? ... Wow! Retro! What are you up to, little buddy? Just listening?"

• MAG170 (Martin remembering Jon again): "And then I met Jon and... Jon? Jon. Jon! Jon, I'm here! I think... I think I'm lost. I think... I don't... Jon..."

• MAG170 (Martin forgetting and noticing the tape recorder again): Oh hello, what are you? Didn't even know I had a tape recorder."

• MAG170 (Martin noticing the recorder again): "I think... Now hang on, where did you come from? Tape recorder? What? You want me to give you a statement? But why? The Eye has won. It can already see everything, it wouldn't need a... Wouldn't need... Well, it's just nice to talk to someone I guess."

• MAG170 (Martin remembering Jon again): "Jon. Jon. Jon, yes, Jon. I remember him. I need to keep him here. If he can find me I... He... He knows enough, surely he knows enough to find me but I can't... If I forget him. If I forget me. Maybe there's nothing left to know? No one to find."

• MAG170 (Martin breaking free of Forsaken): "Talking helps. Thank God you're here to listen. Just don't stop talking. You are Martin Blackwood, yes. You didn't choose to be here. Jon is coming. I am Martin Blackwood and I am not lonely anymore. I am not lonely anymore. I want to have friends. No. I have friends. I'm in love. I am in love and I will not forget that. I will not forget. I am Martin Bla... What? Jon?"

• MAG170 (Jon knowing where they are): "This place? ...... My god..."

• MAG171 (Jon beginning the statement): "Cultivation notes for Forticium Rhys, commonly known as the gristle-bloom orchid."

• MAG171 (Jon ending his statement): "It is the worst place that has ever been beautiful and it should not exist."

• MAG171 (Jon killing the Boneturner): "Feel it. Feel all the terror and despair as your garden grows. Let it flow through you and blossom. Just people using each other up. Ceaseless Watcher! Turn your gaze upon this thing and drink your fill!"

• MAG172 (Jon beginning his statement): "The Tragedy of Francis, a comic puppet show in all acts. Act 48067."

• MAG172 (Next act): "The Tragedy of Francis, a comic puppet show in all acts. Act 48068."

• MAG173 (Jon compelling Callum Brodie): "Tell the truth."

• MAG173 (Jon beginning his statement): "See Jack. See Jack run. Run, Jack. Run into the dark. Don't see Jack anymore."

• MAG173 (Jon ending his statement): Jon: "Is that enough for you? Do you need to hear more? See Luca. See Luca sleep..." Martin: "No! No! No, that's enough! That's enough!"

• MAG174 (Jon beginning his statement): "The shadow falls over everything Maureen has ever known."

• MAG174 (Jon ending his statement)

• MAG174 (Jon knowing where Simon Fairchild is): "Close, but he's able to move a lot faster than we are in this place."

• MAG174 (Helen appearing)

• MAG175 (Jon beginning his statement): "Item: A stubborn lamp."

• MAG175 (Jon ending his statement): "She snaps off another rib and continues writing."

• MAG175 (Jon seeing): "If I try I can see the edges of reality but I can't hold its full scope in my mind."

• MAG175 (Jon considering what's beyond reality): "I don't know. Maybe nothing."

• MAG175 (Jon considering whether gods were real): "If there is a god or gods or an existence beyond this world The Eye can't see it. It sees the fear of it but nothing of its truth."

• MAG176 (Jon beginning his statement): "Feet pound silent, whispers silent, blood on lips, blood on teeth, blood-scent of hated prey flows through veins and into feet pound silent in pursuit."

• MAG176 (Jon ending his statement): "Behind them feet pound silent."

• MAG177 (Jon knowing if Daisy is close): "No, not really. She was here but the corridors of this place are... Rushing isn't going to close the distance faster, it's more about how we choose to move through these domains rather than our speed."

• MAG177 (Jon looking for the way to Daisy)

• MAG177 (Jon chiming in about Melanie and Georgie): "No, not dead. Just hidden somehow."

• MAG177 (Jon beginning his statement): "Hi, how are we doing? You can call me doctor David. I'll be here to help you out for the duration of your stay with us."

• MAG177 (Jon ending his statement): "Like I said, we have all the time in the world and good old doctor David isn't going anywhere."

• MAG177 (Jon describing the murder by Daisy): "Positive. She'd been prowling around for a long time waiting for a gap in the treatments. And when she got one she carved through the door like it was paper. He tried to run but she was so fast. She took his legs first, slicing through the tendons, so that he could..."

• MAG178 (Jon beginning his statement): "Time has no meaning in this place, but that does nothing to lessen the certainty that Tyler has been in this line for years."

• MAG178 (Jon ending his statement)

• MAG178 (Jon describing Daisy's latest victim): "Isabelle Morren, shoplifter, drug addict. Daisy was certain she was dealing as well, derailed her recovery twice."

• MAG179 (Jon beginning his statement): "The heat of the furnace curls the hair on Derek's arm."

• MAG179 (Jon ending his statement)

• MAG179 (Daisy wanting Basira to join her): Basira: "Oh, I see..." Martin: "What?" Basira: "She... She wants me to join her... In the Hunt." Martin: "What? Could... Is that even possible?" Basira: "Yes. I can feel it in the Blood." Jon: "Basira." Basira: "I can't leave her like this. She's always had my back. Always." Martin: "Basira, don't. Please." Daisy: "Partner. Come." Basira: "Not now. Not after everything." Daisy: "Basira. Now." Basira: "I can't." Daisy: "Basira..."

• MAG180 (Jon beginning his statement): "Away and around and away they stretch, row upon row of waiting granite and watching marble."

• MAG180 (Writing on tombstone): "Nil nisi bonum"

• MAG180 (Jon ending his statement)

• MAG180 (Jon and Martin entering the house)

• MAG182 (Jon beginning his statement): "Patient: Jeremy W. Date and place of birth: 4th August, 1977, North Manchester General Hospital."

• MAG182 (Jon ending his statement

• MAG182 (Jon killing Breekon): "Ceaseless Watcher, gaze upon this thing. This lost and broken splinter of fear. Take what is left of it as your own and leave no trace of it behind. It is yours."

• MAG183 (Helen showing up)

• MAG183 (Jon knowing where Basira is): "She's currently moving through The Void. Hungry shadows drifting in the dark. She's been there a long time now, strugglign to find the path."

• MAG183 (Helen leaving)

• MAG183 (Jon beginning his statement): "They scratch and scrape and scamber down the halls of icy granite, fingers that end in jagged nails probing, eager, desperate for the wide and stately passages of marble they are so convinced are just around the corner."

• MAG183 (Jon ending his statement)

• MAG183 (Jon telling Martin about his domain): "It's a small domain. A swirling mix of the Eye and the Lonely. Inhabited by a few lost souls whose fear is not of their isolation or their agonies but that no one will ever know of them. That they shall suffer in silence and be mourned by nobody. That's why you can't really see it. It's why even if we do travel through it you won't be able to see any of the people trapped there."

• MAG184 (Jon beginning his statement): "There are so many. They are beyond number. Though one could plug a numeral from the air and add some zeros, place a figure on how many tiny twitching things exist within these tunnels, it cannot be comprehented. Not truly."

• MAG184 (Jon ending his statement)

• MAG184 (Jon turning Jordan Kennedy into an avatar for the Eye): "Ceaseless Watcher. Look upon this man. Subsumed by terror and gripped with swarming fear. Gaze into him, through him, and out of him. Make him a vessel of your hunger, staring out and harvesting with a thousand thousand thousand tiny eager eyes. Gift him your power and protection. Make him yours."

• MAG185 (Jon beginning his statement): "They have never told her what crime she has been arrested for."

• MAG185 (Jon ending his statement): "She refuses to count the tally marks that cover every inch."

• MAG185 (Jon compelling the inspector): Jon: "Why are you here?" Inspector: "I don't... Stop! Stop!" Jon: "I will stop when you answer the question." Inspector: "Look. You can't know if they're all guilty, alright? It's just about evidence."

• MAG185 (Jon and Martin entering Martin's domain): Martin: "Hey, do you... Do you feel that?" Jon: "Martin? Martin, listen. You need to get ready. We're about to enter your..." Martin: "Yeah, my domain, yes, right, I get it. Dream logic... And timing, apparently... Jon? Jon? Oh... Shit..."

• MAG186 (Other Martin telling Martin what the place reminds him of): "Wuthering Heights"

• MAG187 (Jon trying to know if he can take another route)

• MAG187 (Jon entering the Distortion's domain)

• MAG187 (Jon knowing the way through the Distortion)

• MAG187 (Jon knowing the right way again): Helen: "Ugh, please stop doing that." Jon: "I'll stop doing it when I'm confident you're taking me the right way."

• MAG187 (Jon compelling Helen): "So tell me, why are we going the long way? Are you just trying to keep me from meeting any victims? Or are you trying to figure out if there's still a way you can destroy me?"

• MAG187 (Jon beginning his statement): "I wander through the corridors quickly. Footsteps hurrying, spurred on by the worries that chase me."

• MAG187 (Helen's victim getting close): "Wait. What was that? That sound. It's not her. Not just her. There's someone else. A man's voice, you think, droning on and rising and falling as he talks and talks and talks. There! Just around the corner! I can hear them! I can hear them! There!"

• MAG187 (Jon attempting to destroy Helen): Jon: "Ceaseless Watch- ARGH!" Helen: "Want to try that again?" Jon: "Ceaseless Watcher..." Helen: "You are inside my domain now, Archivist. I can shift any part of myself to any corner of this wonderful hell you have built for us. By the time The Eye focuses on me I'm already somewhere new. Something new." Jon: "Ceaseless W-UGH!" Helen: "Woopsie.

• MAG187 (Jon destroying Helen): "Ceaseless Watcher. See this lie. This golden strand of falsehood. Take it in your gaze and pull it. Follow through its curves and twists and knots as it unravels all before you. Unweave it now. Its fear, its falsehood, its hidden teeth and the ones it wears so proudly. Take all that it is and all that it has. It is yours!"

• MAG188 (Jon seeing what Basira is doing): "She's trying to catch her breath in a labyrinth of masks. She hates the Stranger but has overcome it before and will do so again. Her path is slow and painful but she hasn't fallen yet."

• MAG188 (Jon and Martin entering London)

• MAG188 (Jon beginning his statement): "London. Carmen hated London. She had only ever moved here because there were no jobs in her field outside of it, though right now she couldn't have told you for certain what her field actually was."

• MAG188 (Jon ending his statement)

• MAG189 (Jon beginning his statement): "Right. Here's your bloody performance... The minister hurries onwards, his eyes downcast, focusing on anything that breaks the monotony of the street."

• MAG189 (Jon ending his statement)

• MAG193 (Jon and Martin walking the stairs leading to the Panopticon) Jon: "Ceaseless Watcher! See your servants approach. Herald their arrival. Bid them welcome into your sanctum."

• MAG192 (Rosie appearing): Rosie: "Good morning. Do you have an appointment?" Martin: "Rosie? What are you doing here?" Rosie: "Hello, I'm Rosie, assistant for Mr Magnus. Do you have an appointment?"

• MAG192 (Jon beginning his statement): "Nosy Rosie. He had said. The words were soft, hidden behind the CV he was examining, but she heard them clear as day."

• MAG192 (Rosie meeting Breekon and Hope)

• MAG192 (Peter Lukas appearing): "Of course. The floating unease settled into shape as soon as she saw Mr Lukas."

• MAG192 (Jon ending his statement)

• MAG192 (Rosie showing up again): Rosie: "Mr Sims, was it?" Jon: "Uh, yes?" Rosie: "I believe you have an appointment. Mr Magnus is waiting just inside."

• MAG192 (Jon and Martin seeing Jonah Magnus) "...he screams his pitch is low and black as night that flows and chokes his withered throat and hacking cough that sounds like death is here for him who always knew and feared that this indecent end would carve its bitter name full deep inside his soul and burn within without a ceasing seeing moment more than screaming ones who howl and hide from fates that crawl towards on nails that scratch and creak like rotten boards might warn you of your severed pains approach to pull your skin like sodden cloth and drag it tearing from the now that is no longer even close to what the when just might have been if there was time enough to run and hide from rancid deaths..."

• MAG193 (Jonah chanting in the background): "...that stinks of hate and wafts to him with promise of the fast approaching corpse that bears his face and holds within its chest the promise of his own annihilation carved in gouges deep and ragged cutting clean through bone that cracked to splintered powder cast of empty blackened earth that is his home again but something’s wrong with what he sees upon the door is written not his name but words that mean no more to him than jumbled symbols twisting in the edges of his sight that tries to focus on the emptiness around him but the mist that curls its bitter weeping ache around his legs that bristle up with shivered gooseflesh stained with red that’s not his blood whose blood he bled but this is not from him and yet he knows he loved this blood when once it beat within a heart that joined to his through choice or circumstance but now it stains his weeping edges scarlet gloating now of all the butchered ugly fates that might already have befallen what you still might boast he loves at hands that might be moved by others or that might just now be his what have you done what have you done what have you done what have you done why do you hear upon the gloating wind the screaming of his name as now he begs him please to stop the razor slicing through that flesh but there is nothing he can do from here upon the threshold to a house she almost knows to be a home but empty hollow and devoid of all the trappings that could once have given comfort to the pale and weeping shadow of her life that has been left devoid and faded at the corners like a photograph whose sepia-tinted warmth has drained to just a crowd of faceless staring strangers among whom once she stood to feel safe as houses no-one dares to enter anymore in case they trip upon the mouldy corpse of memories that once gave hope and now provide her nothing but a smile upon the face of something grinning at her sharply and with teeth like rows of hungry needles desperate still to stick through skin like cloth into a tapestry of suffering that billows in the wind and gusts like sails upon a wide and pitch black sea with no horizon in the distance calling one and all towards it with a pull that makes her stomach drop to know she can’t resist the waves that lap and drag her over and across the surface still as cracked obsidian but deeper that the world could ever dream as something wakes and shifts below they grab the wheel and cry in panic at their howling crew to ready for a harrowed doomed escape from what begins to rise below them..."

• MAG193 (Jon starting to give a statement): "I can feel it... the... completeness of it all passing out from him. I can see everything from here, and that’s still just a hint of what he must be feeling as he watches a man run screaming down endless dark alleys that close and crush and press—

• MAG193 (Jon beginning his statement): "He recognises those eyes. He’s seen them all his life, watching him, judging him, cutting through him so no part of him was secret or safe."

• MAG193 (James Wright speaking): "So tell me, Elias. What are you afraid of?"

• MAG193 (James Wright speaking): "In the Institute we are keenly interested in the anatomy of fear. Much that is stored here is disquieting. It is important to know if anything here might... upset you."

• MAG193 (James Wright speaking): "Very wise. A very sensible fear."

• MAG193 (James Wright speaking): "So tell me. Have you ever had an experience that you would consider supernatural?"

• MAG193 (James Wright speaking): "Indeed? Now tell me: why do you want this job?"

• MAG193 (James Wright speaking): "Enough. Tell me, why are you here?"

• MAG193 (James Wright speaking): "Were you drawn here?"

• MAG193 (James Wright speaking): "Against your will?"

• MAG193 (James Wright speaking): "Then why did you heed the call?"

• MAG193 (James Wright speaking):" "Good. The job is yours."

• MAG193 (Elias having a vision of his eyes being replaced): Elias has the briefest of flashes, a sudden burst of terror, an image of himself, strapped down, helpless. The vanishing of well-known faces, and the harsh sneers that replace them as they stare at him. He cannot move. He cannot scream. What is happening? What is that he feels deep down his skull? What are they doing to his eyes? The presence, old and rotten, in his mind?

• MAG193 (Jon ending his statement)

• MAG193 (Jonah chanting in the background): "...as they look down to see the pitch black void of ocean getting darker still as something rises up that dwarfs the sky and yet they know it is the smallest tip of only one appendage reaching up splitting timber splitting steel splitting friends all into shapes and forms and spatters that don’t register as human even as the inky frozen sea pulls air out of their lungs because it is so cold it is so cold it is so coldly sneering as sticky strands pull taut against the flailing struggles as they try to pull away from what approaches in the distant edge of this colossal latticework of bone and sickly paste that twists and curls with each vibration of those fools like them now caught and wrapped and flailing in their heaving desperation not to see it looming over them with glassy eyes and fangs that drip with poison and the promise of the slow and steady agony of feeling all that was herself dissolved and broken down into the bitter pleading..."

• MAG194 (Jon telling the cameras to go away): "I said leave me alone."

• MAG194 (Jon beginning his statement): "The old man was dead. The old man was dead and Malcolm could feel nothing but ice cold relief washing over him."

• MAG194 (Jon ending his statement)

• MAG194 (Jon looking for Anabelle and Martin): "Where are you, Martin? Come on. Come on. Don't do this to me. Not now."

• MAG195 (Jon beginning his statement): "Down in the depths there is a cold beyond cold."

• MAG195 (Jon ending his statement)

• MAG195 (Jon talking aabout what looking at Hilltop Road is like): "It's like my mind follows the paths of the Web. The strands going down and out..."

• MAG195 (Jon and Basira entering the protected area around the camera)

• MAG196 (Anabelle breaking the camera and releasing the horrors trapped within upon Hilltop Road)

• MAG197 (Jon and Basira walking across the endless web at Hilltop Road)

• MAG197 (Jon trying to know what Anabelle's plan is): "I know she has something to tell me and it's about the hole below us. Her thoughts are all down there and the threads are so closely woven I follow them out and in and down and through the strands of web and twisting tape and down and down and down to the chasm into the emptiness that stretches out below..."

• MAG197 (Jon almost getting pulled back into watching the Web after Basira asks about the tapes)

• MAG197 (Anabelle changing into a giant spider)

• MAG197 (Jon starting to try to kill Anabelle): "Ceaseless Watcher. See this skuttling thing. Take it..."

• MAG197 (Jon pulling out his lighter)

• MAG198 (Jon needing to make a statement)

• MAG198 (Jon beginning his statement): "Down and down and down again. Rung after rung after rung to run down a long forever way to nowhere."

• MAG198 (Jon ending his statement)

• MAG199 (Georgie complimenting Jon's lighter and Jon instantly forgetting about it)

• MAG199 (Georgie asking if she can hang on to the lighter and Jon forgetting about it again)

• MAG200 (Jonah chanting in the background): "...and whispers deep within her mind those bitter thoughts that make her hate herself and those that reassure but cannot hide their secret loathing that will leak and spread from tongues that mumble just outside the edge of hearing things he knows will be his fate for all his efforts to protect himself and what he loves will burn away to ash inside..."

• MAG200 (Jon releasing Jonah from The Eye): "Ceaseless Watcher, you know why I am here. Release him."

• MAG200 (Jon starting to chant as he takes over from Jonah): "...the flaying of skin... burning, retching on the smog of... hide, hide, hide... it is not real but still it comes to... falling through the pitch black dar..."

• MAG200 (Jon beginning his statement): "Once upon a time there was fear. Old fear. Primal fear. A fear of blood and pounding feet, a fear of that sudden burst of pain and then nothing. And that fear was nothing. Went nowhere. Knew not what it was."

• MAG200 (Jon ending his statement)

• MAG200 (Jon asking Martin to stay): "We can still be together, here. Until it’s over."

• MAG200 (Jon screaming as the gas catches fire deep below them)

• MAG200 (Jon screaming as the Panopticon burns and collapses around them)

• MAG200 (Reality cracking)

• MAG200 (The tape unspools as the fears rush along it)

Statement ends.